Abstract Expressionism Essay -- Visual Art Paintings Artists

Abstract ExpressionismNew needs need new techniques. And the modern artists welcome found newways and new means of making their statements ... the modern paintercannot express this age, the airplane, the atom bomb, the radio, inthe old forms of the Renaissance or of some(prenominal) opposite past culture.Jackson PollockRarely has such a massive transfer of influence has ever touched theworld as did in the Paris to New York shift of the 1940s and 1950s.All of the characters of the Statesn art were to be expelled in a rapidshift of power. No longer would American artists be the lamb sucklingat the teat of European sources, American art was to dispose ofnarrow-mindedness, an uninterested public, and liberate itself into avalued and meaningful force affect to, and in fact exceeding that of,art produced anywhere within the era. The painting and sculpture thatemerged from the New York School in the mid 1940s was the foremostartistic movement of its time. It was labelled as the Abstrac tExpressionist movement. This is a turning point in American arthistory for the reason that it caused the rest of the art world to espy New York as the new center of innovation.The outbreak of World War Two had devastated the world massively,crushing world economies, social structure and optimistic manifestosleft, mightily and centre. The war had long ruled out any naveenthusiasm for art or artist, art no longer had the courage to be avehicle for ideology of any mannikin. European art took a more realiststance post-war and the Paris scene delved into accuracy andsubjective art. The demand for art increase as financial affluencereturned to the world, particularly America which (having entered thewar later than most Allies) had not been so damaged economically andsocially by the war. America had not suffered extensive bombing likeEurope and was prepared to invest in art Modern art became a modernand popular affair (Mid-Century Paintings in the regular army by)Technological advances like progress in printing and reproductionmethods brought art to a larger amount of the public, no longer wasart a delirium or declaration of wealth owned only by the elite. Governmentgrants, banks churches and communities began to reward artists forworks in exhibition and fund displays this insured that a slopped flowof art and artists were drawn from shell-sh... ...m. In Minimalism objects are cut down to their fundamental,geometric form, and presented in an impersonal manner. This movementis a direct descendant of Abstract Expressionism, and colour-fieldpainters in particular. Large scale washes of colour in sections andthe overall emotion evoked being far more important than any kind ofsubject matter. A number of famous developments were led by artistsassociated with Abstract Expressionists and New York school artists.As the influence of abstract expressionism decreased in the 1960s,artists came to enquiry the very philosophy underlying modernism. Asthe force and vigour of abstract expressionism diminished, newartistic movements and styles arose during the 1960s and 70s tochallenge and displace modernism in painting, sculpture, and othermedia. This is how Pop art reared its head. Dada-like styles employedin the early 1960s and thereafter by Robert Rauschenberg and JasperJohns had widespread influence, as did the styles of many otherartists. Abstract Expressionism, far from exanimate however, is still verymuch alive and living. It lives in modern pieces and artists acrossthe globe its influence knows no bounds.